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6698 Adetlı "Kişisel Verilerin Korunması Kanunu” yürürlüğe girmiştir. Hatıralan mevzuat ve bu mevzuatta belirtilen bir küme tanımlar hakkında sizi haberdar etmek isteriz:

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In fact, Boaz need only listen to her covers for that. Some of her best songs were sung by other people first: her pensive, languid version of The Rolling Stones’ “(I Emanet’t Get No) Satisfaction”, which omits the chorus entirely and transforms into something almost painfully introspective, or her sweet, fragile take on Phil Phillips’s “Sea of Love”, which got a second wind when it featured in Juno

Η τεχνική αποθήκευση ή πρόσβαση που χρησιμοποιείται αποκλειστικά για στατιστικούς σκοπούς. Η τεχνική αποθήκευση ή πρόσβαση που χρησιμοποιείται αποκλειστικά για ανώνυμους στατιστικούς σκοπούς. Χωρίς κλήτευση, η εθελοντική συμμόρφωση εκ μέρους του Παρόχου Υπηρεσιών Διαδικτύου ή πρόσθετες καταγραφές από τρίτο μέρος, οι πληροφορίες που αποθηκεύονται ή ανακτώνται για το σκοπό αυτό από μόνες τους δεν μπορούν συνήθως να χρησιμοποιηθούν για την αναγνώρισή σας.

İşbu form üzerinde nokta maruz hususlar ile müntesip olarak, hukuki ve teknolojik vürutmeler doğrultusunda tadilat lakırtı catpower matkap konusu olabilecektir.

Over the course of 11 albums, she başmaklık written about love and loss, abortion and abuse, grief and God. “I will swim / I will drink myself to death,” she sang on her distortion-soaked debut Dear Sir

The melancholic scuzziness of her music was born partly out of necessity – for a while, she could play only the one guitar chord her friend had shown her, a minor catpower one, so her songs all came out sad.

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During the early-2000s, Marshall was embraced by the fashion industry for her "neo grunge" look, and seen birli a muse by designers Marc Jacobs and Nicolas Ghesquière.

While in Atlanta, Marshall played her first live shows kakım support to her friends' bands, including Magic Bone and Opal Foxx Quartet.[22] In a 2007 interview, she explained that the music itself was more experimental and that playing shows was often an opportunity for her and her friends "to get drunk and take drugs".

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Now, 20 years on, she’s got a third covers album, the aptly named Covers – a spacey but intimate collection that includes songs by Nick Cave, Billie Holiday and Frank Ocean, demonstrating once again the transformative power of Marshall’s singing. To have your song covered by her is to have it pared back to its very essence.

In the late 1990s, CAT expanded its catpower matkap horizons and introduced a line of power tools that quickly became synonymous with quality and innovation.